April 7th, 2010
Image courtesy of Retrorenovation.com
There is always something stunning about coming across gems like these two mid-century color palettes. While they may not be the most attractive images, they certainly have helped me nail down that ever-so-unique mid-century vibe. I’m most drawn to the Siliconized High Gloss and Color Varnish sets.
You can see some other examples of these colors in use here and here.
April 5th, 2010
These book covers caught my eye immediately as I was fumbling through mid century design archives. The designer who created these was Richard Paul Lohse for the swiss architectural magazine Bauen + Wohnen. The actual booklet size is about 13 x 9.4 inches.
Images via joekral Flickr & info via The Wiedler Collection.
March 29th, 2010
If you’re just tuning in to part 2 of the Hipstamatic iPhone camera app review, you can catch part 1 here. This set of photos is from this past week around Seattle. I used a combination of lenses and flashes to get the effects that I wanted. Once again, the best part about this app is that its fair unpredictable which leaves room for interesting results every time.
If you have photos taken with the Hipstamatic app, feel free to post your results in a link, in the comments. I would love to see how yours turn out.
» CONTINUE READING THIS POST
March 26th, 2010
It’s funny how you stumble upon things online. I found these 1970’s Traveller Series games quite randomly and noticed how completely different the design was for games in the 70’s versus games now (ie. Life, Batman). Growing up I wasn’t that into games but I still do enjoy a good one from time to time. My favorites being Yahtzee, Zilch or even Polish Poker.
March 2nd, 2010
The 1967 world fair in Montreal, Canada was held together by one unifying object–the Expo 67 logo. Quite possibly it is one of the most cleanly executed and memorable World Fair logo’s to date. The combination of the timeless icon combined with beautifully kerned type (set in the Optima Roman typeface), really unified the core ideas behind Expo 67.
The theme of this World Fair was ‘Man and his World’. Every pavilion in one way or another, represents this theme of man to the world around him. The designer responsible for this logo was Julien Hébert, a Canadian industrial designer. At the soul of this logo is Hébert’s conceptual use of an ancient sign representing man–vertical line with arms outstretched to either side–close in proximity to represent friendship. The symbol representing man is repeated in a circle, extending the conceptual representation of unity of mankind around the world.
» CONTINUE READING THIS POST
February 23rd, 2010
It’s a wonderful feeling to look back at older art & design. This particular group of images, sourced from a pool on Flickr called Mid-Century Modern Art & Design, are just a few of many that I really enjoyed.
Don’t let the great image of the Sands Motel fool you. Maybe at one point in its life it was an oasis but now, its far from it. I included this image because of my personal recollection of the motel and also because I wasn’t aware that the Sands Motels existed anywhere but in downtown Boise, Idaho. In the image above it looks gorgeous and like it was the hot spot. That certainly wasn’t the case in Boise back in 2002.
The Sands Motel as I knew it, was a trashy, run-down motel where drug deals and prostitutes went down. The sheets of the beds had burn holes, the knob of the sink came off to the touch and fell down the sink (whoops), and lastly the TV. My brother and I were little and of course wanted to watch some TV (more than likely to get our minds off the fact that this motel was sketchy) so our dad hardwired the TV back into working order because someone had cut the wires off the back of it for some unknown reason. On top of that I believe that when our dad went into the lobby to get a room, the guy was sleeping in his chair with his arms falling back to each side and his head tilted over the back of the chair, looking like he was dead. If this wasn’t an indication that we shouldn’t stay here, then I don’t know what was.