


I was sifting through holiday gift ideas and stumbled upon Andrio Abero’s work. These posters, my favorites, are some of his best. The typography and intermixing of detail within really sets the style and feel of these posters.



I was sifting through holiday gift ideas and stumbled upon Andrio Abero’s work. These posters, my favorites, are some of his best. The typography and intermixing of detail within really sets the style and feel of these posters.










Some wonderful black & white packaging designs from an unknown source. I wish salt sold in Seattle was packaged as beautifully.

Telepopmusik is a marvelous French electronic music trio. I was first introduced their music by the Robot Food Afterlame snowboard film as a kid and come to think of it, I think this movie itself has helped set my music preference to what it is today. There is a section in the beginning of the film that’s cut to the first track I’m listing, ‘Genetic World’. Ever since seeing this edit, I’ve always associated their music with snow even though the music doesn’t talk or involve it–must be a psychological thing. The second and third tracks, Dont Look Back and Mathematics, are two of my favorites followed by my third, Telepath Chromes DJA, a remix.
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The sketches above are a few of many pulled from two recent projects of mine. Just over a year ago, sketching concepts was one of my least favorite things to do. It seemed less time consuming to go straight to the computer to try and bring my concept to life. The truth was though, that it took two or three times longer to come up with my concepts than it would have taken to sketch by hand.
The reason it’s faster to sketch is because we can think faster from our brain to pencil than from our brain to computer. In a sense we can compare it to talking. An example would be that we use our voice to communicate; it’s far more effective than communicating digitally and there is little room for misunderstanding. This is my point exactly. Talking is natural and sketching is close to natural (the cavemen did it). When trying to use the computer to hash out our ideas, there seems to be a physical communication barrier that, no matter how good you are with computers, stunts your creative drive.
Being able to provide two or three-minute sketches to clients or the design firm you work for is a valuable asset, but only if you understand the principles of proportion, spacing (type), and ingenuity. In the sketches above, you can tell which ones were the 2-3 minute, 10 second, and 45-minute sketches. The 2-3 minute sketches are the ones you should focus on. The 10 second sketches don’t have the direction they need and the longer, 45-minute sketches are too timely (unless you’re creating an art piece). The 2-3 minute sketches help myself or my client envision the evolution of the project in the design phase. If I were to immediately show my client refined sketch, it may give them the impression that this is the final product. It’s also a safeguard to make sure you don’t spend too much time on an idea that may not be the best solution.
It’s funny sometimes what areas of a project get sketched the most. For example, the HH Annual Report project had more sketches about binding the book, than the design itself. Some of my other projects–a project for the Bicycle Alliance of Washington–started with word lists instead of sketches and eventually moved on to sketches of the photo-driven concepts.
Sketching has helped me spend less time staring endlessly at my monitor so I can spend more time making progress on my personal projects. Since I feel pretty strongly about the power of sketching, I’m curious to know what your thoughts on it. What is the balance between pencil and pixel in your work? Share with us.





This project is a 224 page, 8 x 10 hardcover book focusing on a collection of residential buildings in Brooklyn, New York. It was done by Project Projects, a New York design studio.

The Knife is one of those musical duos that never gets old. The duo is Olof Dreijer and Karin Dreijer Andersson. They are based in Stockholm, Sweden and have made music together since 1999. The most interesting part about The Knife is that their sound varies appreciably. On one hand you have fun, relaxing tracks and on the other you have deep, dark and mysteriously strange. I don’t plan on posting those tracks for the sake of maintaining this as a ‘Songs for Singing’ post.
The first track up is ‘Heartbeats’ followed by three others. For clarification, ‘Heartbeats’ was written by The Knife then later covered by fellow Swede José Gonzales. The Knife was at first concerned about letting José cover the song, but changed their minds upon the realization that the extra exposure could bring positivity to the label in the form of funding.
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Wood interiors and exteriors seem to draw me in. When I was young, my brother and I would build tree forts and random wood structures throughout the woods. Now that I look back, it occurred to me that we had always built our forts a certain distance away from the house. More than likely it was an attempt at avoiding chores.

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NR2154 is an amazing multidisciplinary design studio established by Jacob Wildschiødtz and Troels Faber. This series of stamps mark the UN climate change conference in Copenhagen. It’s a shame that there isn’t more of a write-up for these pieces, but I believe its fair to say that this design speaks for itself. Also, I would have to say I’m a huge sucker for the Danish style, especially that of NR2154’s.




The Seattle World Fairs and Century Expositions have been inspirations to me in the past, so when seeing this nicely done poster from Raoul Ortega, I couldn’t help but stop and read his post. Raoul’s use of the central ‘EXPO’ mark make this poster work very well.
See more pictures and his post here.